DVR Alerts for Friday 9/25 -- TCM Pre-Code Festival

Sorry to be so late with this -- end of fiscal year at the day job! Don't forget, if you have Turner Classic Movies on your cable system, you should be able to see these after the fact using WatchTCM to stream them to your computer.

Also, remember that these are NOT organized by A List or B List. It's organized based on what I've seen and can recommend, and things I haven't seen but want to.

Definite YESes (seen and recommended)
A Free Soul (3:00 a.m. ET)
The Public Enemy (3:30 p.m. ET)
Scarface (5:00 p.m. ET)
Little Caesar (6:45 p.m. ET)
Three on a Match (10:00 p.m. ET)

Good Bets (that I haven't seen, but plan to)
Ladies They Talk About (6:30 a.m. ET)
Heroes For Sale (10:15 a.m. ET)
Employees' Entrance (11:30 a.m. ET)
Midnight Mary (1:00 p.m. ET)
Penthouse (8:15 p.m. ET)
State's Attorney (2:00 a.m. ET)

I can't quite decide how I feel about recommending The Hatchet Man (12:45 a.m. ET), so I'm listing it separately. On the one hand, it has Edward G. Robinson, one of my all-time favorite actors, and is directed by William Wellman. On the other, it has an all-white cast playing in yellowface, with Asian-American actors relegated to bit parts. Pre-Code films reflect their times, which means that they can sometimes be startlingly racist to our eyes, so viewer beware.

If you haven't seen Little Caesar in a while, I'm going to let you in on a secret: Rico is gay. According to Mick LaSalle, the writer of the novel it was based on even complained about it at the time because it was so clear to contemporary audiences. The indicators they used for that were different in the 1930s than they are today so it's not quite as obvious on first viewing, but once you know, it's hard not to see it.

I also highly recommend Three on a Match, which has a bravura performance by Pre-Code star Ann Dvorak (who co-stars in Scarface with Paul Muni) as a nice, middle-class married woman with a baby who descends into drug addiction for no particular reason while her friends and family stand by helplessly. When Dvorak reduces Bette Davis to standing by as a supporting player, you know Dvorak is commanding the screen.

Unrelated trivia time: child actress Virginia Davis from Three on a Match is the same Virginia Davis who appeared in Walt Disney's very first short films, collectively called the Alice Comedies. The first Alice film bankrupted Walt (a not uncommon occurrence for him) but he was able to use it as his calling card to get a contract to make more of them once he moved to Hollywood from Kansas City, Missouri.

DVR Alerts for Friday 9/19 -- TCM Pre-Code Fridays

Confession time -- this Friday is probably the day with the most number of famous Pre-Code films that I've never seen. I've been fascinated by Mae West for years, I've read a couple of biographies of her, and yet I've never seen I'm No Angel or She Done Him Wrong. Embarrassing, but true.

So this week's recommendations are:

Possessed (10:15 a.m. ET)

Two Seconds (11:45 a.m. ET)

The Little Giant (1:00 p.m. ET)

The Mind Reader (2:30 p.m. ET)

Beauty and the Boss (3:45 p.m. ET)

Blonde Venus (8:00 p.m. ET)

I’m No Angel (9:45 p.m. ET)

She Done Him Wrong (11:30 p.m. ET)

Blonde Crazy (12:45 a.m. ET)

Skyscraper Souls (3:30 a.m. ET)

There's also the original version of Waterloo Bridge, starring Mae Clark and directed by James Whale, airing at 5:00 p.m. ET. I've seen it and don't remember being very impressed by it, but YMMV. Many people who have seen the Viven Leigh remake and then this Mae Clark version end up preferring the Pre-Code version because it doesn't have to play coy about exactly why Myra hangs around with all of those soldiers. 

The movies I'll probably end up watching first are Two Seconds, I'm No Angel, and Skyscraper Souls.

Today's notable stars: Joan Crawford & Clark Gable (Possessed), Edward G. Robinson (Two Seconds, The Little Giant), Warren William (The Mind Reader, Beauty and the Boss, Skyscraper Souls), Mae West (I'm No Angel, She Done Him Wrong), Marlene Dietrich & Herbert Marshall (Blonde Venus), Cary Grant (Blonde Venus, I'm No Angel, She Done Him Wrong), James Cagney & Joan Blondell (Blonde Crazy).

"Trouble in Paradise" (1933)

Lubitsch.

For some people, that’s all you have to say. He was one of the first “star” directors, a director whose films people would go see regardless of who the actors were, which meant he could get top stars like Greta Garbo begging to work with him. I could populate an entire Top 10 list with only Lubitsch’s films, and if I did, the number one spot would be a tough, tough call between Trouble in Paradise and 1942's To Be or Not To Be. But we’re talking about Pre-Code films here so, for today, Trouble in Paradise is going to take the top spot.

This is one of Lubitsch’s nine collaborations with New York playwright Samson Raphaelson, who also wrote two other beloved Lubitsch films, The Shop Around the Corner (1940) and Heaven Can Wait (1943). But much as I love those films, they can’t hold a candle to Trouble in Paradise.

Night Nurse (1931)

Let’s say this first – if you like Pre-Code movies, you will love Night Nurse. It’s a full blast of the fun that Pre-Code films can hold: wisecracking best friends, snappy dialogue, unconventional plot twists and, of course, Barbara Stanwyck in her early red-headed days.

But it’s an unusual role for Stanwyck, because the character of Laura Hart is something we don’t expect from the usually hard-boiled Stanwyck: a starry-eyed idealist. She’s not naïve – it’s established from the start that she’s a working-class girl who was forced to drop out of high school and work to support herself – but she loves nursing and wants to be the best nurse she can be. Even at the end of the film when she’s forced to leave the field she loves, her disillusionment hasn’t made her hard or cynical. She remains the same warm, caring, confident person we saw when the film opened.

It’s sometimes startling to see the contrast between the Pre-Code Stanwyck and her Production Code persona. There is a definite difference between the two. In her Production Code films, there’s something a little cold about Stanwyck even in her romances – something a little remote and mysterious. In her Pre-Code films, Stanwyck holds nothing back. She lays it all on the table and dares the audience to judge her for it.  And director William “Wild Bill” Wellman backs her up with a tough, punchy film that showcases Stanwyck’s strengths as an actress.

UPDATED: TCM Pre-Code Fridays: DVR Alerts for Sept. 12

Still working on my piece about Night Nurse (which I hope to have up tomorrow), but I wanted to get the DVR alerts in so people have time to plan and/or program:

Friday, September 12

Definite YESes (seen and recommended)
The Age of Consent (3:00 p.m. ET -- watch it and then read my essay about it here!)
Red-Headed Woman (6:30 p.m. ET)
Design For Living (9:30 p.m. ET)
Trouble In Paradise (11:15 p.m. ET)
Dr. Jekyll and Mr. Hyde (12:45 a.m. ET)
Freaks (3:45 a.m. ET)

Good Bets (that I haven't seen, but plan to)
Ten Cents  A Dance (7:00 a.m. ET)
ADDED: Double Harness (10:00 a.m. ET) -- recommended by NotMax
Mary Stevens, M.D. (1:45 p.m. ET)
Bombshell (4:45 p.m. ET)
Red Dust (8:00 p.m. ET)
The Story of Temple Drake (2:30 a.m. ET)
Jewel Robbery (5:00 a.m. ET)

If you can only see one movie this week, make it Trouble In Paradise -- you will never be sorry, though your friends will get tired of you repeating lines from it. If you can only see two, the second one should be Design For Living. As far as essays go, I'm planning to aim for Trouble In Paradise ("Constantinople!") and The Story of Temple Drake, which was suppressed for many decades because it was so incredibly scandalous.

Stars of the day: Jean Harlow (Red-Headed Woman, Bombshell, Red Dust), Miriam Hopkins (Design for Living, Trouble In Paradise, Dr. Jekyll and Mr. Hyde, The Story of Temple Drake) and Kay Francis (Trouble In Paradise, Mary Stevens M.D., Jewel Robbery)

Also note that I added Double Harness to the Good Bets list at the recommendation of NotMax.

The Divorcee (1930)

** If you have a participating cable TV provider, you can stream this month's movies to your computer using WatchTCM, so you can still watch this film and upcoming selections if you missed Friday's broadcast. **

I’m probably going to be writing about multiple films from TCM Pre-Code Fridays since there’s such an embarrassment of riches, but I’m going to start with The Divorcee because I think its charms are a little less obvious to modern audiences.

First of all: Norma Shearer. The First Lady of MGM. Married to top MGM executive Irving Thalberg. And yet she wasn’t interested in the classy, ladylike roles that Thalberg wanted to shove the object of his affections into, like so many doting movie executives before and after him. She wanted to play modern, complicated women dealing with changing social mores – there’s a reason Mick LaSalle chose her photograph for the cover of his book Complicated Women. She played thieves (A Lady of Chance, The Last of Mrs. Cheyney), kept women (The Trial of Mary Dugan), and freethinking adults who believed they should have the same freedom as men – which is what Shearer’s character Jerry believes in The Divorcee.

"Love Me Tonight" (1932)

One of the things I'm enjoying most about watching these Pre-Code films is that I'm able to re-discover what made some stars into "stars" in the first place.  My spouse's first experience with Barbara Stanwyck was seeing her on the 1980s nighttime soap operas Dynasty and The Colbys and, understandably, he wondered what the big deal was.  Even when he was older and saw some of her Production Code classics like Double Indemnity and The Lady Eve, he still didn't really "get" Stanwyck.

Then we watched Night Nurse and ... damn!  Now he got it.

For me, that was the reaction I had to Maurice Chevalier when I saw Love Me Tonight.  I knew Chevalier from his later years in Hollywood, most notably playing a dirty old man singing "Thank Heaven for Little Girls" in Gigi, but I'd never seen him in his prime.  And all I can say is ... damn!  Now I get it.